Release date: September 15, 2017
Rating: outstanding (4)
Michael Lessard – vocals
Robby Baca – guitar
Cameron Maynard – guitar
Joey Baca – percussion
Jordan Eberhardt – bass
Eric Guenther – keyboards
I am the type of person who listens to black metal while studying. I am also the type of person who falls asleep to Swallow The Sun. But from time to time, I am like everyone else: I’m craving calm, balanced music, and that’s the kind of music The Contortionist, one of the greatest prog bands on the market, have been offering for the last couple of years. If you aren’t familiar with The Contortionist, note that this band’s style pretty much went from a quite balanced mix of prog rock, djent and deathcore to almost meditative post-rock and fusion in less than ten years. Someone even commented on one of The Contortionist’s music videos saying that their new material feels very soothing for people who struggle with anxiety.
The Contortionist still play progressive music of course, but ever since their third record “Language” released in 2014, it seems as if they have found a niche they enjoy and to which they will probably stick for the future. While there still were some djent and deathcore elements to be found on that album, things have changed a little with “Clairvoyant” – the harsh vocals have completely disappeared and even though there are some heavier parts, they can’t really be compared to The Contortionist’s djent/deathcore past.
One thing I often dislike about progressive bands is how they try to include every single idea they might have had during songwriting without considering if those different elements are in tune with each other. The Contortionist, on the contrary, have been establishing a more simplified approach to songwriting, and have perfected the art of writing songs that flow perfectly from beginning to end and into each other from the first to the last track. That is why discussing every track individually wouldn’t make any sense – you really have to listen to the whole record to understand it. Some beautiful songs, however, are “Godspeed”, “Reimagined” and “Absolve”.
Additionally, I can’t stress enough what great of a vocalist Michael Lessard is. It is not only his ability to change from soft head voice singing to pig squeals that makes him special, but also the fact that he sounds absolutely flawless live. He really has full control over his voice and I particularly enjoy how he incorporates his r’n’b influences into his vocals. On “Clairvoyant”, he dispenses with harsh vocals, though, and to be honest, I do believe that giving up the harsh vocals wasn’t the best idea. I see, however, where The Contortionist wanted to go with this record and that such vocals just wouldn’t fit into the musical concept of “Clairvoyant”.
Another aspect that could be seen as a downside to this record in general is the fact that it flows to the point where it lacks a certain surprise effect. Or, in other words, you could be listening to “Clairvoyant” and there probably wouldn’t be any kind of “WTF!” moment. Of course, a record shouldn’t be solely based on those moments, but a little surprise here and there would be welcome on this particular one. Having Lessard’s whole vocal spectrum would probably enable a more extreme sound dimension to the record and make it even more interesting and enjoyable.
Other than that, I can’t think of anything negative. Just keep in mind that if you are looking for tech metal and djent, The Contortionist isn’t the band to offer you that kind of style of music anymore. Apart from that, I believe that this album can make you happy: It is great at calming you down, and to top it all, it will satisfy any progressive music freak’s need for extraordinary music.
01. Monochrome (Passive)
05. The Center
08. Return To Earth
09. Monochrome (Pensive)