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New tracks worth checking out: October 2017

Yes, I am aware of the fact that we are already halfway through November. University once again sabotaged my plans to post this on time. But it won’t stop me from sharing some of the best tracks released in October now. Better late than never!
It is safe to say that my attempt on making this a monthly series that goes online at the beginning of the month has failed. I am, however, determined to bring you my favorite new tracks at the end of every month from now on, mostly for the sake of diversion. There is such a thing as too many album reviews in my book!
October was quite full of new metalcore and modern metal releases – at least this is my impression. Ergo, you should definitely check out the bands and respective songs below if you are searching for new music from this category.
Without further ado, enjoy the following tracks.

Good Tiger – Blueshift
This is a very interesting track. Good Tiger in general are an interesting band I am willing to devote myself more to. “Bueshift” is a fairly new track off their upcoming second album “We Will All Be Gone” and clearly quite different from anything I have ever heard. Just listen for yourself.

Helloween – Pumpkins United
Helloween was one of the very first bands I started listening to as a teenager when I got into heavy music. I used to listen to Helloween every time I went for a run because their music really pushed me. Since then, a lot has changed: I haven’t been listening to Helloween a very much and I also gave up running. But now, as I am listening to this amazing new track, it feels as if I am beamed back in time. “Pumpkins United” is the perfect song to rise your energy levels, and I need a lot of that right now.

Attila – Three 6
Attila, one of the most successful metalcore bands at the moment, released a brand new song on Halloween 2017. There is no information on a new album yet, though. However, “Three 6” is a track that pleased many Atilla fans, and I do enjoy it a lot, as well. From time to time, everyone needs a little kick of energy, and that’s exactly what Attila are delivering with this track.

Polaris – Lucid
I have become a lot more open-minded when it comes to modern metal music. Polaris is a band I probably wouldn’t have checked out a couple of years ago, but little did I know that I would have missed out on some superb music! Polaris offer some of the angriest and simultaneously some of the most soothing vocals I’ve ever heard. The track “Lucid” combines everything I love in a metal song: Energetic, technical music, dynamic structure and powerful vocals, harsh or clean (in this case, we get both!).

Crystal Lake – Apollo
Another quite unique metalcore band – Crystal Lake are from Japan and I think that people outside the metalcore scene have never heard of this band before. On the same note as the aforementioned track “Lucid” by Polaris, “Apollo” feels like a fresh breeze of air. While being heavier, it still contains sprinklings of melody. Now who says modern metal is just bullshit! They clearly haven’t heard of Polaris or Crystal Lake.

Review: Arch Enemy – “Will To Power”

Release date: September 8, 2017
Rating: average (3)

Line-up:

Alissa White-Gluz – vocals
Michael Amott – guitars
Jeff Loomis – guitars
Sharlee D’Angelo – bass
Daniel Erlandsson – drums

How do you introduce a band like Arch Enemy? It’s actually really easy: You don’t have to. They are on nearly every rock and metal magazine cover right now. If you haven’t heard of this band to this day, please allow me one question: Have you been living under a rock for the last three years?

Arch Enemy are truly known and loved for what they do. Their new album Will To Power has been really successful so far, but the release of this record hasn’t turned the world upside down. Alright, sarcasm aside: I won’t complain about a more than solid new record by Arch Enemy just because they haven’t drastically changed since their last record. No one is expecting any kind of major shift in style from this band. At this point, I am happy if their songs stay consistently high-quality.
So as I mentioned, the essence of Arch Enemy stays the same and probably will for the years to come – however, adding different elements into their music allows them to move with the times and to offer their loyal fans new and exciting music without changing their style completely. And that’s exactly what they intended with Will To Power. I will, though, complain about the fact that this album could have turned out better than it actually did.
The intro “Set Flame To The Night” sounds pretty mediocre to me. The next song, “The Race”, a quite fast and straight-forward song, seems to be doing the job as the first “real” track on the record, not more and not less. “Blood In The Water” just isn’t memorable. It is quite likely that you will forget this song very quickly, as it is way too packed with quite unimpressive riffs and unnecessary guitar tootling.
From this point on, the record starts to become enjoyable. “The World Is Yours” is the first track on this record that finally stands out. It isn’t nearly as catchy as “War Eternal” was, but it is really solid, quite dynamic for an Arch Enemy track and the bass sounds really cool. Next up is “The Eagle Flies Alone”, aka “You Will Know My Name 2.0”. I mean, the song is really good. I assume that at least one medium paced, epic track is part of every Arch Enemy record now. But the interesting thing about Will To Power is that they decided to put another slower, “ballad”-like song right after an already relatively slow track like “The Eagle Flies Alone” – it’s called “Reason To Believe”, and this really is the kind of song that gives you strength and hope. I really enjoy it. It is definitely something completely different for Arch Enemy, but oh, is it splendid! Thank God Alissa got to use her full vocal spectrum on this album, particularly on this track and also on some other songs to come. It seems that she has a lot more saying in the songwriting process now, as some melodies and singing styles are very reminiscent of older The Agonist material, which makes absolute sense. I have been a fan of The Agonist with White-Gluz, so I really don’t mind hearing some parallels to her old band. On the same note, Arch Enemy’s frontwoman is starting to form a personality of her own and, luckily, is not trying to copy her predecessor Angela Gossow. People can say whatever they want about Alissa White-Gluz, but thanks to her talent and hard work, she has risen to the very top of the metal scene, and rightfully so.
The album continues with “Murder Scene”, a quite classically structured heavy metal song that also sounds quite personal if you listen to the lyrics. “First Day In Hell” and “Dreams Of Retribution” are surprisingly dark, but well-done. In general, the following tracks stand out in comparison with other Arch Enemy tracks in the sense that they are less epic and more straight-forward and higher-paced, which is nice to hear for a change. “My Shadow And I” highlights my last point, as well as the cover “City Baby Attacked By Rats” originally performed by GBH. “A Fight I Must Win”, technically the last track off Will To Power, on the contrary, sounds like a classic Arch Enemy song again. The lyrics sound kind of unspectacular, but that’s nothing new about Arch Enemy either. I also see what they did with the violins at the end, which I find really unnecessary. Write an epic guitar riff, Amott. God damn it, it’s your final track!

Despite this record being solid, I can’t change the fact that to me, it is “only” solid. I can’t rate it as “outstanding” as it isn’t to me. What is presented on Will To Power is the least you would expect from Arch Enemy. I think it’s great that they are experimenting a little bit with different sounds, but I’m missing true hits on this record other than “Reason To Believe” and “The World Is Yours”. Fans will like it. But Will To Power will most definitely not blow anyone away who knows what Arch Enemy are capable of.

Tracks:
01. Set Flame To The Night
02. The Race
03. Blood In The Water
04. The World Is Yours
05. The Eagle Flies Alone
06. Reason To Believe
07. Murder Scene
08. First Day In Hell
09. Saturnine
10. Dreams Of Retribution
11. My Shadow And I
12. A Fight I Must Win
13. City Baby Attacked By Rats

2017’s most impressive releases so far – Part 2

Some of you might look at this short list and ask themselves “Where is all the heavy stuff?”. Well, a little while ago, I introduced part 1 of this series with the fact that I haven’t had much time to listen to a lot of music in 2017 because of different reasons, and when I did, I have almost always been opting for “softer” music.
Two of the next albums have been accompanying me during most parts of this spring – can you guess which ones?

Kobra And The Lotus – Prevail I
Release date:
May 12, 2017
Having always been skeptical about artists who seem self-publicizing or too concerned about their looks, I avoided Kobra And The Lotus for quite some time. Frontwoman Kobra Paige looked as if she could fit into the aforementioned category of musicians; however, after listening to the latest album by the Canadian band, I learned that she is a gifted vocalist and as I watched some interviews with her, I concluded that she has to be a genuinely nice and down-to-earth person. This is probably another typical case of “Don’t judge a book by its cover”. Also, shout out to a female in the metal genre that is not a soprano – middle-ranged ladies and altos are way too underrepresented in the metal scene. In a world full of Sharons, Tarjas and Elizes, we need more Kobras!
Prevail I has been growing on me with every new listen: It has the right punch to it despite being full of hits. It also feels a lot fresher than Kobra And The Lotus’ previous releases. Some of the most outstanding songs are the opener “Gotham”, “Triggerpulse” and the semi-ballad “Light Me Up”.

Imminence – This Is Goodbye
Release date:
March 31, 2017
I would say that I normally don’t listen to “this kind” of music, but that would be bullshit. I listen to whatever works for me, and even though this new type of core music is not what I generally opt for, I genuinely enjoy Imminence’s new record This Is Goodbye. It is true that they have changed their style quite drastically; however, both styles, namely classic metal-/deathcore and modern melodic/alternative rock/metal, suit them very well. If this is what a band wants to do, why not?
This Is Goodbye is basically a record that has been written with a broken heart: There are quite a few songs on here that express feelings of sadness, loss, heartbreak, and chagrin. Nonetheless, all tracks are memorable and full of energy.This record soothes the listener and makes him want to party at the same time. “Energetic” is also a term to describe Imminence’s live shows: The Swedes give everything on stage and especially vocalist Eddie Berg is one of the most enthusiastic frontmen I have ever seen live. And to top it all, he even produces all of Imminence’s music videos, and he’s doing a fantastic job.
It is fair to say that I have been playing this record on repeat ever since I bought it at one of their shows as support for annisokay. Also, have I mentioned that these guys are some of the nicest dudes I have ever met? I have never been hugged so much in one single evening. Anyways, if you are into great melodies and don’t mind a little electronic action alongside with guitars and a little cheesiness, give This Is Goodbye a listen. Favorite tracks: “Coming Undone”, “Broken Love” and “Cold As Stone”.

Soen – Lykaia
Release date:
February 3, 2017
When I reviewed this record for progressivemusicplanet.com, I remember liking two songs off Lykaia a lot and the rest sounded rather mediocre to me. Despite that and the fact that Soen sound way too perfect for my taste, I have still being coming back to this album. And now, as I am listening to Lykaia again, I do like it more than a couple of months ago. So that’s why I had to mention it as part of this list. Unmistakably influenced by Opeth and Tool, Soen created an atmospheric and dynamic prog rock record and even added some elements of world music. In my review, I wrote as a conclusion that you should give this record several listens so you could “discover the colors that I tried and failed to find”. Slowly, but steadily, it seems that these so-called colors I tried to find in Lykaia are finally revealing themselves to me.

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