Release date: September 8, 2017
Rating: average (3)

Line-up:

Alissa White-Gluz – vocals
Michael Amott – guitars
Jeff Loomis – guitars
Sharlee D’Angelo – bass
Daniel Erlandsson – drums

How do you introduce a band like Arch Enemy? It’s actually really easy: You don’t have to. They are on nearly every rock and metal magazine cover right now. If you haven’t heard of this band to this day, please allow me one question: Have you been living under a rock for the last three years?

Arch Enemy are truly known and loved for what they do. Their new album Will To Power has been really successful so far, but the release of this record hasn’t turned the world upside down. Alright, sarcasm aside: I won’t complain about a more than solid new record by Arch Enemy just because they haven’t drastically changed since their last record. No one is expecting any kind of major shift in style from this band. At this point, I am happy if their songs stay consistently high-quality.
So as I mentioned, the essence of Arch Enemy stays the same and probably will for the years to come – however, adding different elements into their music allows them to move with the times and to offer their loyal fans new and exciting music without changing their style completely. And that’s exactly what they intended with Will To Power. I will, though, complain about the fact that this album could have turned out better than it actually did.
The intro “Set Flame To The Night” sounds pretty mediocre to me. The next song, “The Race”, a quite fast and straight-forward song, seems to be doing the job as the first “real” track on the record, not more and not less. “Blood In The Water” just isn’t memorable. It is quite likely that you will forget this song very quickly, as it is way too packed with quite unimpressive riffs and unnecessary guitar tootling.
From this point on, the record starts to become enjoyable. “The World Is Yours” is the first track on this record that finally stands out. It isn’t nearly as catchy as “War Eternal” was, but it is really solid, quite dynamic for an Arch Enemy track and the bass sounds really cool. Next up is “The Eagle Flies Alone”, aka “You Will Know My Name 2.0”. I mean, the song is really good. I assume that at least one medium paced, epic track is part of every Arch Enemy record now. But the interesting thing about Will To Power is that they decided to put another slower, “ballad”-like song right after an already relatively slow track like “The Eagle Flies Alone” – it’s called “Reason To Believe”, and this really is the kind of song that gives you strength and hope. I really enjoy it. It is definitely something completely different for Arch Enemy, but oh, is it splendid! Thank God Alissa got to use her full vocal spectrum on this album, particularly on this track and also on some other songs to come. It seems that she has a lot more saying in the songwriting process now, as some melodies and singing styles are very reminiscent of older The Agonist material, which makes absolute sense. I have been a fan of The Agonist with White-Gluz, so I really don’t mind hearing some parallels to her old band. On the same note, Arch Enemy’s frontwoman is starting to form a personality of her own and, luckily, is not trying to copy her predecessor Angela Gossow. People can say whatever they want about Alissa White-Gluz, but thanks to her talent and hard work, she has risen to the very top of the metal scene, and rightfully so.
The album continues with “Murder Scene”, a quite classically structured heavy metal song that also sounds quite personal if you listen to the lyrics. “First Day In Hell” and “Dreams Of Retribution” are surprisingly dark, but well-done. In general, the following tracks stand out in comparison with other Arch Enemy tracks in the sense that they are less epic and more straight-forward and higher-paced, which is nice to hear for a change. “My Shadow And I” highlights my last point, as well as the cover “City Baby Attacked By Rats” originally performed by GBH. “A Fight I Must Win”, technically the last track off Will To Power, on the contrary, sounds like a classic Arch Enemy song again. The lyrics sound kind of unspectacular, but that’s nothing new about Arch Enemy either. I also see what they did with the violins at the end, which I find really unnecessary. Write an epic guitar riff, Amott. God damn it, it’s your final track!

Despite this record being solid, I can’t change the fact that to me, it is “only” solid. I can’t rate it as “outstanding” as it isn’t to me. What is presented on Will To Power is the least you would expect from Arch Enemy. I think it’s great that they are experimenting a little bit with different sounds, but I’m missing true hits on this record other than “Reason To Believe” and “The World Is Yours”. Fans will like it. But Will To Power will most definitely not blow anyone away who knows what Arch Enemy are capable of.

Tracks:
01. Set Flame To The Night
02. The Race
03. Blood In The Water
04. The World Is Yours
05. The Eagle Flies Alone
06. Reason To Believe
07. Murder Scene
08. First Day In Hell
09. Saturnine
10. Dreams Of Retribution
11. My Shadow And I
12. A Fight I Must Win
13. City Baby Attacked By Rats

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